A NovelBook - 2017 | First edition.
A gang of thieves stage a daring heist from a vault deep below Princeton University's Firestone Library. Their loot is priceless, impossible to resist.
Bruce Cable owns a popular bookstore in the sleepy resort town of Santa Rosa on Camino Island in Florida. He makes his real money, though, as a prominent dealer in rare books. Very few people know that he occasionally dabbles in unsavory ventures.
Mercer Mann is a young novelist with a severe case of writer's block who has recently been laid off from her teaching position. She is approached by an elegant, mysterious woman working for an even more mysterious company. A generous monetary offer convinces Mercer to go undercover and infiltrate Cable's circle of literary friends, to get close to the ringleader, to discover his secrets.
But soon Mercer learns far too much, and there's trouble in paradise--as only John Grisham can deliver it.
Praise for Camino Island
"A happy lark [that] provides the pleasure of a leisurely jaunt periodically jolted into high gear, just for the fun and speed of it." -- The New York Times Book Review
"Sheer catnip . . . [Grisham] reveals an amiable, sardonic edge here that makes Camino Island a most agreeable summer destination." -- USA Today
"Fans will thrill with the classic chase and satisfying ending; and book lovers will wallow in ecstasy." -- The Florida Times-Union
From Library Staff
A priceless book heist, a novelist on a mission, and a book dealer who dabbles in the black market all intersect in this new Grisham novel.
From the critics
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Only 9 quotes in goodreads. Here are a few more:
“I did manage to ditch my prologue, add quotation marks to my dialogue, take out the big words, and I would have cut some more but there’s not enough to cut.”
I learned with my first novel that writing books is far easier than selling them.
Writers are generally split into two camps: those who carefully outline their stories and know the ending before they begin, and those who refuse to do so upon the theory that once a character is created he or she will do something interesting.
Deep in the Left Bank of Paris, in the heart of the 6th arrondissement on Rue St.-Sulpice, Monsieur Gaston Chappelle ran a tidy little bookshop that had changed little in twenty-eight years. Such stores are scattered throughout the center of the city, each with a different specialty. Monsieur Chappelle’s was rare French, Spanish, and American novels of the nineteenth and twentieth centuries. Two doors down, a friend dealt only in ancient maps and atlases. Around the corner, another traded in old prints and letters written by historic figures.
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