A NovelBook - 2016
One day in Vermont, an old man puts a piece of land up for sale and unintentionally raises protest from the local Abenaki Indian tribe, who insist it's a burial ground. When odd, supernatural events plague the town of Comtosook, a ghost hunter is hired by the developer to help convince the residents that there's nothing spiritual about the property.
Enter Ross Wakeman, a suicidal drifter who has put himself in mortal danger time and again after his fiancée's death in a car crash eight years ago. Ross now lives only for the moment he might once again encounter the woman he loves. But in Comtosook, the only discovery Ross can lay claim to is that of Lia Beaumont, a skittish, mysterious woman who, like Ross, is on a search for something beyond the boundary separating life and death. Thus begins Jodi Picoult's enthralling and ultimately astonishing story of love, fate, and a crime of passion.
In this "memorable ghost tale" ( Kirkus Reviews ) , Picoult's eeriest and most engrossing work yet, she delves into a virtually unknown chapter of American history--Vermont's eugenics project of the 1920s and 30s--to provide a compelling study of the things that come back to haunt us--literally and figuratively. Do we love across time, or in spite of it?
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Do we love across time? Or in spite of it? A developer has slated an ancient Abenaki Indian burial ground for a strip mall, and now strange happenings have tiny Comtosook, Vermont, talking of supernatural forces at work. Ross Wakeman is a ghost hunter who's never seen a ghost-all he's searching for is something to end the pain of losing his fiance Aimee in a car accident. He tried suicide-any number of times. Now Ross lives only for a way to connect with Aimee from beyond. Searching the site for signs of the paranormal, Ross meets the mysterious Lia, who sparks him to life for the first time in years. But the discoveries that await Ross are beyond anything he could dream of in this world-or the next. Expertly entwining a powerful drama of the heart's redemption and the disturbing real-life history of the VT eugenics project of the 1930s, Second Glance asks if truth is always something that can be measured… and if what can be measured is indeed always true.
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